ltd clear vinyl !! ww 150 copies !!! one of the best house track from sneak !! one of the second wave of influential chicago house producers and a member of the vanguard of late- 90s starts a new label for his classic production since 1993.for his first release, the killer track called love released in 1995 on 83 west is for pure house track lovers & collector items. bonus, a new remix by sneak himself ! you cannot miss this release

a new label from south west england with a remix from the highly rated crazy p!

san francisco, cas surefire sound starts off the new decade with a bang and launches their brand new label with an energetic single by eprom. a fast rising west coast bass technician, dj and producer sander dennis a.k.a. eprom delivers funky, techy fourfour beats on “never.” eprom’s original mix opens with rattling hi-hats and a hushed female vocal accented by eproms patented twitchy synths. a hefty kick drops, braced by a thick, bouncy mid-range bass pattern. like recent tracks by untold or ramadanman, “never” blurs the divisions between dubstep, funky, techno and garage to form an irresistible new creation. hyped newcomer faltydl had a breakthrough year in 2009.

sweet 4 track ep by this newcomer... 3ear has a great ear for new artist! sarrass is hailing from the south-west of germany. he began his musical career by studying trumpet and piano and performing in small classical and jazz groups. later, after learning about klaus schulze he got in touch with techno which has (as we all know) a huge impact! he debuted release on compost black with the >home at the sea< ep. third ear discovered him and signed this sweet 4 track ep! a nice blend of detroit techno with abstract electronical sounds as being used by klaus schulze and the early german pioneers and contemorary house. great modern club tools with a nice personal twist! check!

blockhead return with a different sound with some fine artists including the uk s very own inland knights, argentina s manuel sahagun, the men from down under fodera & watts & viva music s darius syrossian dj support from:  sound diggers / jay west / axel (kolour) / nick dem q / jason hodges etc..

nice first release with the hague, bunker sounding tracks with flirts to italo disco and electro. a sound that is retro-ish late 90s (1999?) just before electro clash became so big.

idle hands is a vinyl based label operating out of rooted records in bristol. the focus of the label is on raw and experimental dance floor tracks, in the best traditions of the uk underground. hanuman and atki2 make up monkeysteak, and along with dub boy run the steak house records label. over the past few years they have released 12&#8243,,s on the werk and punch drunk labels as well as recently featuring on toddla t’s fabric mix. here in the west country dub boy runs the bristol’s best bass music night, the acclaimed ruffnek diskotek and has recently been voted one of the cities favourite dj’s, second only to joker. this 12&#8243,, sees the crew delve into house music with satisfyingly bass heavy results. the a side is a chunky deep house track with a feel good carnival vibe. the b side is a unique slice of post-soca dance music, and also includes a remix from the internet’s funkiest man – grievous angel. dj support from martyn, ben ufo, blackdown and 2562.

fabio bacchinis mindtravel label kicks off 2010 with a superb 4 track ep! feat talents of paul johnson, jay west, frankie j and the house inspectors!

1996 peter presta production!

encer kincy was giant in chicagos house music revival - part of the second wave of younger djs and producers that took the music of the early 1980s, rubbed it up and dropped it in places like 500 west cermak, medusa’s and the vault. a lot of people who are now superstars of the scene - mark farina, sneak, derrick carter, and dozens of others - were a part of that movement, too. spencer released a number of tracks on relief, planet e, cajual, peace frog - labels representing the classics of that era - and he usually recorded under the name gemini. as a dj, he operated in his own space - i’m sure he could play for a room, and sometimes did, but the unrestrained madness of a spencer kincy dj set had to be heard over several hours to appreciate. he could blend a sleazy disco track into hard acid, downtempo into a punishing armani track, jazz into detroit techno and so on. it wasn’t technically brilliant or tricky, but the selection was exquisite. a number of figures from his era still list him as an influence. his productions, viewed as a whole, are so much like his sets: going softer than many dared to go, and going much harder than just about any dared to go. simple jack tracks! respected by the standards of the industry of the time, and you certainly couldn’t go anywhere in chicago without hearing derrick, sneak, mark, lego, gene, jevon, diz, johnny or the other djs beating them. and so many of them have a timelessness - a little piece of eternity stuck like some bit of wax between the grooves

the big anthems by deep swing, jakatta, west & dj delicious and eric prydz!

great road songs are driven by a yearning for the distant city that can only come from those that dont live there and like all the best ones, way to la feels dreamlike and timeless. claremont 56 start 2010 with a single from their latest signing, bison, made up of holger czukay, ursa major, paul mudd murphy and benjamin smith. the first release takes you on a trippy rock fuelled journey to the west coast of america, via stuttgart and holloway. on the a side, way to las bass throbs insistently, engines growl and bubble and tom petty power chords flash by in a swirl of czukay reverb, fading like treacle. ursa major is at the wheel, her voice soothing. she knows where shes going. cocooned in the cracked leather of the passenger seat beside her, nobody can stop you. you re on your way. side b takes to the highway with a darker sound. holger czukay puts his foot to the floor, pushing his mix up a gear and rounding off an essential debut release. like the perfect road trip sunset, this release is epic and unforgettable. like all claremonts this will be fly of the shelf...again!

die electro-szene aus ost und west entdeckt die balkan-beats.der balkan groovt und groovt und groovt. was anfang der 90er-jahre mit den ersten veröffentlichungen von feldforschern aus dem westen begann, ist längst zu einer weltweiten clubbewegung geworden. inzwischen schwappen die südost-beats auch in andere szenen über, mittlerweile haben sogar hippe electro-produzenten die balkanenergie für sich entdeckt.
auf 500 stück limitiert - inklusive download-code fürs gesamte album.

fresh 2010 repress !! historia y violencia is a new project exploring the hispanic roots of santiago salazar (dj s2) and j. mendez (silent servant). both producers dissect their latin upbringings as a cinematic theme to create snapshots of the day-to-day blood and sweat that has shaped them as individuals. the sound takes cue from detroit, berlin and chicago to create classic, deep dancefloor tracks. santiago salazar started djing in the early 90s inspired by mix tapes his brother was bringing back from the gay underground scene in los angeles. his style has always been a mixture of house and techno. after moving to detroit, santiago began his music training with mike banks, label founder of underground resistance. he is also half of the duo ican (ican productions / planet e) who have been responsible for some killer techno releases. the central american born j. mendez cut his teeth as jasper in the late 90s/early 2000s, running the california-based cytrax label. a veteran dj from the age of 16, he has performed worldwide in clubs from berlin to osaka. along with technical wizards kit clayton and sutekh, he helped shed light on the small but influential minimal techno scene on the west coast. a chance meeting with karl oconnor in 1999 established a friendship that would later open the door to the sandwell district label in 2006. silent servants sound is a reinterpretation of early 80s post-punk electronics, paired with the deep, metallic sounds of basic channel and downwards.

it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

playing and singing together since their school days in west sussex, smoke fairies (jessica davies & katherine blamire) create ethereal, dark and haunting left of center folk and blues songs wrapped in beautiful harmonies with the occasional psychedelic flourish. following an ep and two singles, they now release their first for third man records. the songs gastown and the river song were produced by jack white (white stripes / dead weather)!

nice price deal !!! back from the dark streets of manhattans west side scndl comes creeping back into the picture. reminiscent and inspired by old chicago house from the likes of master c&j, need to know asks you, what gets you in. this time around theres a devastating set of mixes from across the atlantic. the uks lee mortimer takes the main riffs and raves it up with his turbulent basslines while markus lange & sterofunk keep it on the deeper side of dark electro. fukkk offf wraps up the package with a simple yet effective edit that fattens things up on the bottom while keeping it glued to the floor. what gets you in?

nrk 00deep celebrates another 10 years passing for uk label nrk music, a label that has always stuck true to the deep, underground house and techno sounds. part 2 has tracks from clive henry & justin drake aka peace division. and 2 killer west coast anthems from rocket people (the jeno mix) & halo & hippes h foundation mix of somas plastic people, rounding things off in style

produced by da beatminerz!! includes feeling feat. kanye west, mind power ? produced by xtra p aka large professor, shine eye gal ? produced by dj ace (dmc champ 1996-98) and hidden scriptures ? produced by statik selektah

killer detoit house classic, ltd backstock

a tribute to sun ra & >latino in cairo<. this record represents the cairo jazz band responding to the american jazz scene of the 60s & 70s with influences from mongo santamaria to randy weston and sun ra. these tracks were first presented by the ministry of culture in cairo as a prism music production and released with an additional disk by the composer soliman gamil musical images. this release marks the first time salah ragab and the cairo jazz bands definitive works are presented to the west. salah rageb r.i.p
now available on limited edition with 180grams vinyl and a heavy cardboard sleeve!

deepart returns with his snapshots concept. deepart is andi hart, and if theres one man out there which keeps true to his own sounds its andi hart. hes been pushing his sounds for almost ten years now, ever without doing any concessions. this double 12 inch brings eight new typical deepart tracks, they come in his typical minimal lo-fi style, but with the soul deep within. sometimes warm, frantic some other time.

one track for every point of the compass by manuel f. llorente aka prompt. 7 noise worldwide!

6th album by ghostface killah of wu-tang fame for def jam under his new ghostdini moniker. features collaborations with shareefa, raheem >radio< devaughn, jack knight, vaughn anthony, estelle, fabolous, john legend, adrienne bailon, lloyd, ron brownz, kanye west & ne-yo. produced by dennis coles, mike caruso and antonia la reid. comes as transparent green double vinyl.

the man behind the much sought after digital underground and jungle brothers boots is back with the fifth installment of the consistently hot house arrest label. smoking west coast flavored funky house covers of some of the all time dance classics, with debarges all this love and robert roena ysu apollo bands que se sepa, a real funky latin house workout. this series is always a favorite with heavy hitters likeu. doc and farina so dont pass up this one!!

das us-produzentenduo und der trip-hop-pionier bringen die hüften zum schwingen.
aus alt mach neu! diese alte lebensweisheit hat sich tricky zu herzen genommen und seinen song >c mon baby< vom umjubelten album >knowle west boy< kräftig aufpoliert. mithilfe des aus jamaika stammenden us-produzentenduos south rakkas crew erscheint der song in neuem glanz und ist gleichzeitig die erste singleauskopplung des gemeinsamen albums der traumkombi tricky meets south rakkas crew. dass >c mon baby< selbst die trägsten hüften zum schwingen bringt, ist kein wunder. immerhin haben south rakkas crew mit remixen für beck, justin timberlake, alicia keyes, duran duran und sogar britney spears den ofen ordentlich vorgeheizt und lassen nun trickys song mit ihrer südländischen spezialwürzung auf höchsttemperatur brodeln. zu diesem song nicht zu tanzen ist sünde! auf der b-seite findet sich die instrumentalversion.

2002 classic by yann fontaine (ovum. low pressings) with a deep, deep rerub from west caost favourite lance desardi (seasons). in a very metro area vibe, lance takes the dubby tech original into a smoked out trip of new wave keys and mininimal drums, that morgan geist would sweat on. the flip heads into rob paine world, with a low rumbling bassline and rasta fills. a litle more reserved than yanns normal tech housers, this is a cool track that could easily be on bluem or environ.

next up on eglo records after the hugely successful vacuum ep by floating points its the debut release of west londons stevie j aka funkineven 1956, featuring hackneys new queen of funk & soul, fatima on vocal duties. 1xtras benji b has already been going mad over it, and the track is slowly building a reputation at a number londons underground jams and warehouse parties. sonically it occupies a similar stratosphere to dam funk, sa ra, bugz in the atitic, dorian concept, joker etc, but with a west london twist and deeply crafted vocal melody.

nice price deal !!! performance artist & singer bonnie wrongford teams up with nottinghams kinky movement & bristols mikkael. dj support from inland knights, da sunlounge, jazzy eyewear, jay west, bryan jones & more.

dilla would surely be proud! and so would probably theo and moody too. theres a new cat from michigan down with the raw fusion roster. his name is kiyoshi shelton and will, with a 150% probability, hit both the hip hop and soulful house scene large! his 3 track debut ep on raw fusion starts off with a real smooth hustlin deep house tune with parallels drawn to the eminent new york producer, dj spinna or even west londons own soulful heroes restless soul. the flipside takes us down memory lane with some real heavy detroit hip hop bangers, both of them with a nice soulful touch. their heavy and the tough and wicked lyrics are least as sharp.

with smashing contributions by electro lord legowelt from dirty brown the hague and bleep addict garçon taupe from the bourgeois slums of amsterdam, narrominded presents the fourth installment in its renowned split lp series. both sides of this split lp comprise a whole ep in length, and the contributions have in common that they are both deeply rooted in electro music.
on garçon taupes wittenburg ep, eighties infected drum computer beats and heavy bass lines pave the way for some rather cheerful and unpretentious melodies. the five tracks were mixed to tape at rude 66s triple six lounge studio, and reveal influences from electronic pioneers like yellow magic orchestra and mantronix, to todays acid freaks like luke vibert and like a tim. the end result is a catchy mixture of electro and acid.
legowelt explores the darker corners of electronic music in four tracks leaning on eerie vocals and grungy electro beats. his land rovers in astrophysics ep takes us to mysterious environments. we are spacing out on the force of the stars, the universe, etc, and dancing to hypnotic drums on a mystical trip to pago pago west samoa. legowelt not only knows how to to satisfy a dance floor, but is also capable of deeply appealing to the listeners imagination.

larse returns with his 2nd single on conya. together with his homie fish they produced a hypnotic endless dancefloor journey. the b side is also hypnotic, but way more laidback. enjoy. already support by c rock, sasse, alf tumble, lars behrenroth, phil e, nacho marco, sebastian davidson, grant nelson, francesco farfa, jay west, halo, behrouz…,...

peter kruder returns to the gigolo mega-church to present two new tracks from his recent arsenal of techno and house dance-floor bombs. needless to say 2009 has been a good year for gigolo and hell with the high times being shared by peter kruder. beginning back in march when we released peter kruders first 12 inch in 7 years as part of the cd eleven release. followed swiftly by the release of dj hells acclaimed >teufelswerk< album, recorded and produced largely in peter kruders vienna based studio. so as we approach the end of 2009 it gives us great pleasure to announce the latest ep >hard to find<.
on the a-side you find the title track, which takes in influences from detroit techno circa the age of ur to north african hooks. the filter sweep towards the end, which serves as the drop/break, is a master-class in restrained modulation that is bound to ignite any dance floor. on the b-side we find >25 west 38th st.< a slightly more reserved affair opening with the sound of the ocean air, then swiftly diving into a bass driven groove, which features lush strings and a piano-led top line creating a track that is as atmospheric as it is rhythmic. the ep itself takes influence from the b-side on two levels, the most immediate being the title of the track, which is the address of the old nu groove records offices. this is peter kruders homage to a time when dance music served as a momentary escape, an opportunity to make those around happy. it also brings peters relationship with gigolo records full circle, having begun in 2004 with his >nu groove< remix of hells >listen to the hiss<.
resident advisor recently alluded to the idea that peter kruders finest solo work is coming exclusively through gigolo records. it is certainly not beyond the realms of possibility as this latest record goes a long way to proving. with such a statement in mind we invite you to listen to the latest release from peter kruder.

toll endlich wieder auf vinyl .. very limited ... so be fast

this is quenums first release on clapper!
a side: cargo
this track is techno with a touch of old school, but decidedly modern, not nostalgic. it s built on a groovy techno rhythm that quenum knows to do so well, with a recurring agitative sound that takes you one level higher. the earthy music, rooted by the feet in the ground, grabs the hips.
b side: ouidah
welcome to west africa and the port city of ouidah, home of the quenum clan. this track is classic quenum, clear-headed techno influenced by african rhythm, hypnotic percussions and inimitable touches that add warmth to the sober mix. this one is for the head, but without letting go of the hips.
dachshund and quenum will alternate their work on each release, so look out for the upcoming clapper 003 by dachshund. in the meantime, check out this track and enjoy the show!

bottin, aka william bottin makes music only an italian can make... probably. take a youth spent against a background of old italian giallo soundtracks, some john carpenter film music, add in late 70s italo disco influences, add a touch of free, some easy west coast vibe and a smattering of kitsch. that just about half describes bottin.

strong new outing on robsoul limited here!! modern depp/chicago/tribal house cuts, that ll keep the crowds swingin...

the first release on clapper is by swiss dog dachshund. a side: patte d oie is the name of a neighborhood in dakar, senegal, where dachshund was hanging out back in the days. this track is infused with the sounds of cora, a west african guitar, and wrapped in a heavy drum-kick that fluctuates from highs to lows, creating a hypnotic bass line. b side: bread. the second track is a smoother work that keeps us going with a steady rhythm, airy yet solid like a cloud that cannot evaporate

following the success of their storming funkatech debut >wickedest combination ft. ic3/the system<
west london threesome pyramid are back with the first single in a four part series entitled >elements< consisting of earth, air, fire & water but inspired by their four prefered staples: sex, drugs, rock & roll! in true pyramid style expect nothing less than dancefloor destroyers with uncompromising attitude that deliver the breaks fundamentals: big bass & real breakbeats wrapped up with a fresh twist for 2009.
proclaiming the arrival of this new series in full effect is the preacher this summers first festival anthem. take heed all ye doubting thomases this will bring you to your knees. the ominous intro gives way to heavy rock guitars and a foreboding preachers sermon whipping the crowd into a frenzy before suddenly being struck down by waves of bass and earth quaking beats so big they will bring the lame back to their feet. this is a big room track guaranteed to smash up the dance. big warm and heavy it will rock the most sinful of ravers into repentance. watch those hands reach for the sky ... hhhhallelujah!
not letting up the energy for a second and next up on the flip is >broken dreams< featuring the vocal and production talents of yoof (sons of mecha). no massive build ups here just a great vocal hook, raw beats and bass. no sir this is a ram raid. break steppin broken beats, rapid distorted basslines, thrash guitars & crashing cymbals... have it! underground and uncompromising pyramid bring the skank for 2009.

nice price deal !!! born in a voodoo cave from an analogue broth of baldelli & mancuso, mysterious new music project zarrylade puts first feet forward with this limited self produced release. a connie chase inspired calypso moog line serves as the backbone with heavy vocals soaring all over... we re not sure if he is a person, or a band, or from los angeles or london, either way leo zero has picked up zarrylades afro disco boots on a stripped down aa side. deep grooves for the feet & psychedelic sounds for the head and sky - heavy on the ethno beats and tribal overtones... all coloured in with some west coast spiritual glue. a zarrylade album is in the pipeline with this and another follow up limited 12inch - so dont sleep on this one people!

nice ian pooley remix!!

the 3rd nite life comp by west coast/naked music hero miguel migs!! quality deep and soulful house music!!

some serious biznizz goin on here, no doubt - elementals brand new 12 inch for reduction brings some major, dirty break-step action to the floor, phat-ass, squelchy, distorted, squashed low-end and rollin beats make for two dark and heavy drops. this is the kind of style that wears its junglist roots on its sleeve, with a real, late night warehouse rave nastiness - and we totally love it. elementals growing reputation for tough dubstep cuts is supported by a succession of releases from him for labels such as audio freaks and urban graffiti, he s had tracks appear alongside scuba on hotflush, released with caspa & rusko (dub police / destructive), been remixed by boxcutter, and featured on fabric live.32 mixed by tayo. bristols reduction label first debuted with a plate from wedge (paradise lost / z-audio) featuring a remix from gatekeeper (soul jazz / tempa). here they bring a prime slice of local talent from a west country city positively teeming with innovative music.

nice price deal !!! limited white label 4 track ep featuring some dope remixes from ruckus roboticus that never appeared on vinyl. until now. his dancefloor friendly remixes of bloc partys >hunting for witches<, pase rocks >so f*cking disco<, kanye wests >love lockdown< and lmfaos >i m in miami bitch<. the bloc party mix is perfect for the electro heads (think dfa or gomma), while his kanye remix might be the best house remix of that track done yet and his pase rock remix is a fidget house anthem in the making. get this!

another quality 4-tracker by dione for megarave. this one goes out to north, south, east and west!

altair nouveau consists of one brandon mitchell, a young producer from the west coast currently residing in san francisco. altair nouveaus music, though designed with the dance floor in mind, still evokes a personal element. it is the combination of these elements that give altair nouveau his indistinguishable larger than life, spaced-out future disco sound sure to cause a dance floor frenzy. raised in the sprawling city of san jose, california to musical parents. mitchell grew up with the encouragement of his father, an electronic music teacher at the local community college. brandon began educating himself by collecting albums from the likes of giorgio moroder, vangelis, ennio morricone and john carpenter. this gave way to newer acts such as in flagranti, prins thomas, lindstrom and several artists on dfa. the title track æspace fortress marks a bold and exciting introduction into the sonic landscape of mr. nouveau, combining g funk, p funk and a 4/4 disco foundation that adds up to something otherworldly altogether. released as a joint effort with the uber-hip dfa records this 12 features mixes exclusive to this release from ultra-talented irishman john daly who turns out a deeper take while michel morins criminally underrated nom-de-plume sneak-thief takes it deeper into spacey disco-funk territory.

the third 12 inch in this essential edit series sees greg wilson reference his past as a disco dj in the late 70s and, subsequently, electro-funk pioneer of the early 80s. going way back to his golden guinea days, ruff wrap revitalizes a hidden gem from 1977 by lady love. this version of casey & finchs infectious miami groover, wrap your arms around me, was a record that, although never issued in the uk, was a particular club favourite on merseyside - its local popularity very much down to one of wilsons influences, terry lennaine, who championed the track on his weekly specialist soul show, keep on truckin. moving on 6 years to 1983, ruff rapp re-arranges the seminal west coast rap cut bad times (i cant stand it) by captain rapp, which was a monster tune on the black scene during the electro-funk era, having initially featured at wilsons club nights back then, legend and the hacienda in manchester, plus wigan pier. focusing on the social problems of the time, the subject matter of the lyric certainly translates to the current credit crunch climate. the crew behind >bad times< included jam & lewis and rich cason, whilst kimberly balls excellent vocal sets the whole thing off

after their debut single turn you onhaving such a wide success on goodgroove, they are back to bring some disco breaks to the floors. san francisco meets south west england. the sly players are tal m klein and slim goodgroove. they create disco vs breaks vs funk that bridges boots and original production, leaving no musical stone unturned, each sly players track is born of tal and slim s crazed experiments at throwing the kitchen sink at dancefloors, keeping what sticks and throwing out what doesnt.

after releasing successful lps in the past, we re happy to announce a new manmade recordings series by the name of feature funk. the first release features some more proper floor filling funky break beats by well known beat mixing talents like funkanomics, basementfreaks, quasamodo and manmade. the feature funk series begins with a typical manmade styled tune called supersonic. coming with fast hammond chords in the beginning, followed by a rolling bass line and punched with a short feature form benins (west africa) upcoming rap star penny this track kicks ass! with lets dance explodes another funk bomb from quasamodo. this talented producer from greece gives another masterpiece-definition of the phrase funky breakbeat. hi did an unbelievable mix with this on of a kind nightrider feeling. basement freaks is another greek rooted producer, who fires one more funk missile with his track hot beastie. after having released plenty of successful tracks on different international labels, we re happy he found his way on this record. get your party started with this one! funkanomics hit things hard again with their recognisable style, and we re happy to present them on this record. their track is a wild and fast mixture of kravitz rock elements combined with classic old school raps. their track kravitzbuster makes mincemeat out of clubs!